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Rabba Main Kya Karoon (2013) Movie Review

Rabba Main Kya Karoon (2013) Movie Review
A rom-com with the backdrop of a big fat Punjabi wedding, RABBA MAIN KYA KAROON tells the story of two brothers [Arshad Warsi and Akash Chopra]. Akash is all set to tie the knot in Delhi, but before the wedding, Arshad and his three mamas [Paresh Rawal, Tinnu Anand and Shakti Kapoor] teach him the key formula for a happy married life — in order to live a happy married life, one must cheat on his wife.
When any film that touts itself as being a comedy features Arshad Warsi and Paresh Rawal, the audience, to a certain aspect, expects an out-and-out rib-tickling comic fare. RABBA MAIN KYA KAROON manages to tickle your funny bone, but tends to get monotonous given the single line of exploration, that of having to cheat in order to lead a happily married life.
The film starts off with a brief history that establishes a base for Akash and Tahira, thus aiding the evolution of their love story that finally culminates in Akash asking for Tahira’s hand in marriage. Cut to the wedding celebrations which, in true Punjabi style, are spread over a period of couple of days. It is here that you get a feel of the comedy, as slowly yet steadily, with each new character, a new tale is told.
RABBA MAIN KYA KAROON is basically a love story draped in the guise of a comic caper. The love story of Akash and Tahira relies heavily on the oft-repeated template of beginning on a sweet note and ending with a rather expected twist. As for the comic quotient, the antics manage to elicit a giggle initially, but you are left wanting more than what’s on display as the story moves forward. As for the music, barring ‘Khulla Saand’, not much works here.
First-timers Akash and Tahira do more than a good job; it is here that you feel that they have been limited by the script. Arshad Warsi is efficient yet again. Paresh Rawal, as always, is at his best playing the fornicating husband with a straight face, while Shakti Kapoor tries too hard with the comic timing. The remaining cast, which includes several notable names, is functional.
On the whole, RABBA MAIN KYA KAROON appeals in bits and spurts. It might appeal to a section of the audience in North thanks to the Punjabi flavour.

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Rabba Main Kya Karoon (2013) Movie Review

Rabba Main Kya Karoon (2013) Movie Review
A rom-com with the backdrop of a big fat Punjabi wedding, RABBA MAIN KYA KAROON tells the story of two brothers [Arshad Warsi and Akash Chopra]. Akash is all set to tie the knot in Delhi, but before the wedding, Arshad and his three mamas [Paresh Rawal, Tinnu Anand and Shakti Kapoor] teach him the key formula for a happy married life — in order to live a happy married life, one must cheat on his wife.
When any film that touts itself as being a comedy features Arshad Warsi and Paresh Rawal, the audience, to a certain aspect, expects an out-and-out rib-tickling comic fare. RABBA MAIN KYA KAROON manages to tickle your funny bone, but tends to get monotonous given the single line of exploration, that of having to cheat in order to lead a happily married life.
The film starts off with a brief history that establishes a base for Akash and Tahira, thus aiding the evolution of their love story that finally culminates in Akash asking for Tahira’s hand in marriage. Cut to the wedding celebrations which, in true Punjabi style, are spread over a period of couple of days. It is here that you get a feel of the comedy, as slowly yet steadily, with each new character, a new tale is told.
RABBA MAIN KYA KAROON is basically a love story draped in the guise of a comic caper. The love story of Akash and Tahira relies heavily on the oft-repeated template of beginning on a sweet note and ending with a rather expected twist. As for the comic quotient, the antics manage to elicit a giggle initially, but you are left wanting more than what’s on display as the story moves forward. As for the music, barring ‘Khulla Saand’, not much works here.
First-timers Akash and Tahira do more than a good job; it is here that you feel that they have been limited by the script. Arshad Warsi is efficient yet again. Paresh Rawal, as always, is at his best playing the fornicating husband with a straight face, while Shakti Kapoor tries too hard with the comic timing. The remaining cast, which includes several notable names, is functional.
On the whole, RABBA MAIN KYA KAROON appeals in bits and spurts. It might appeal to a section of the audience in North thanks to the Punjabi flavour.

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B A Pass (2013) Movie Review

B.A. Pass Movie Review-

Converting a book into a film is a daunting task and director Ajay Bahl attempts just that with his film B.A. PASS. Based on a story ‘The Railway Aunty’ by Mohan Sikka from the book ‘Delhi Noir’, an anthology based mainly in and around Delhi, the film is the story of a young, small-town boy Mukesh [Shadab Kamal], who moves to Delhi to stay with his aunt and finish his college.
It is here that he is seduced by a mysterious married woman known to him as ‘Sarika Aunty’ [Shilpa Shukla]. Set amidst the neon-lit by lanes of Delhi’s Paharganj, the story unfolds an erotic drama between the two, forging a relationship based on lust, lies and deceit. As Mukesh gets entrenched into his surroundings, he discovers a city that thrives on corrupting even the most naive and innocent.
Despite the diverse stories being narrated on the Hindi screen, making a film that deals with the aspect of sex, prostitution or erotica can be and is an extremely sensitive topic. However, director Ajay Bahl excels with aesthetically shot love making scenes in B.A. PASS. Set in present-day Delhi, more specifically the Paharganj area, replete with the sights and sounds of the vicinity, B.A. PASS tells a gripping story of a young, financially challenged man who unknowingly gets forced into prostitution.
Staying true to the original story penned by Mohan Sikka, the tight screenplay [Ritesh Shah] leaves little room to wander, while the viewer is drawn into the world of Mukesh as he explores the pleasures of an older woman, feels the despair when tricked, lose the moral fibre of defining right from wrong.
Ajay Bahl does a stellar job of converting the story into a radiant gem, filled with the colours of a happy life to the harsh grim reality of a dying dream.
As for the performances, Shilpa Shukla leaves no stone unturned in playing the fornicating housewife. It’s a standout performance for sure. Shadab is supremely efficient, bestowing depth and emotion to the character he portrays. Dibyendu Bhattacharya, as the chess-playing grave keeper, plays his part perfectly.
On the whole, B.A. PASS is a stark and brutal saga of seduction and betrayal that explores the darkest recesses of the human conscious and morality. Though gripping, you need a strong stomach to absorb this gritty and thought-provoking fare!
{[['']]}

B A Pass (2013) Movie Review

B.A. Pass Movie Review-

Converting a book into a film is a daunting task and director Ajay Bahl attempts just that with his film B.A. PASS. Based on a story ‘The Railway Aunty’ by Mohan Sikka from the book ‘Delhi Noir’, an anthology based mainly in and around Delhi, the film is the story of a young, small-town boy Mukesh [Shadab Kamal], who moves to Delhi to stay with his aunt and finish his college.
It is here that he is seduced by a mysterious married woman known to him as ‘Sarika Aunty’ [Shilpa Shukla]. Set amidst the neon-lit by lanes of Delhi’s Paharganj, the story unfolds an erotic drama between the two, forging a relationship based on lust, lies and deceit. As Mukesh gets entrenched into his surroundings, he discovers a city that thrives on corrupting even the most naive and innocent.
Despite the diverse stories being narrated on the Hindi screen, making a film that deals with the aspect of sex, prostitution or erotica can be and is an extremely sensitive topic. However, director Ajay Bahl excels with aesthetically shot love making scenes in B.A. PASS. Set in present-day Delhi, more specifically the Paharganj area, replete with the sights and sounds of the vicinity, B.A. PASS tells a gripping story of a young, financially challenged man who unknowingly gets forced into prostitution.
Staying true to the original story penned by Mohan Sikka, the tight screenplay [Ritesh Shah] leaves little room to wander, while the viewer is drawn into the world of Mukesh as he explores the pleasures of an older woman, feels the despair when tricked, lose the moral fibre of defining right from wrong.
Ajay Bahl does a stellar job of converting the story into a radiant gem, filled with the colours of a happy life to the harsh grim reality of a dying dream.
As for the performances, Shilpa Shukla leaves no stone unturned in playing the fornicating housewife. It’s a standout performance for sure. Shadab is supremely efficient, bestowing depth and emotion to the character he portrays. Dibyendu Bhattacharya, as the chess-playing grave keeper, plays his part perfectly.
On the whole, B.A. PASS is a stark and brutal saga of seduction and betrayal that explores the darkest recesses of the human conscious and morality. Though gripping, you need a strong stomach to absorb this gritty and thought-provoking fare!
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Kangna Ranaut Latest Wallpapers | Photo Shoots | Images

Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
 Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
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Kangna Ranaut Latest Wallpapers | Photo Shoots | Images

Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
 Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
  Kangna Ranaut Latest Wallpapers | Photo Shoots | Images
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Krrish 3 (2013) First Look Poster

Presenting motion poster of Hrithik Roshan most anticipated movie of 2013 “Krrish 3″. For all updates SUBSCRIBE T-Series channel for unlimited entertainment.
 Krrish 3 (2013) First Look  Poster
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