Bajatey Raho Movie Review-
 A revenge comedy, or conning a con to be specific, is a rarity in  Bollywood. Recall KHOSLA KA GHOSLA, which was amongst the first in this  genre. Subsequently, a whole new segment that deviate from the  tried-and-tested route, boast of an ensemble cast, are close to real  life and belong to diverse genres have made it to cineplexes. The  success of VICKY DONOR and FUKREY has given an impetus to this trend of  low cost, high concept films. Shashant Shah, who attempted diverse  genres in his first two outings, DASVIDANIYA [2008] and CHALO DILLI  [2011], follows the trail with BAJATEY RAHO.
 However, unlike the over-the-top humor that we are subjected to in  most films, the humor is understated in BAJATEY RAHO. In addition,  Shashant and writer Zafar A. Khan stay true to the ‘commercial format’  of amalgamating just about every ingredient to quench the appetite of  the entertainment-seeking spectator. Although the narrative is not  without its share of déjà vu moments, Shashant does manage to dole out a  fairly absorbing tale, more towards the second half of the movie.
 Sabharwal [Ravi Kishan] is on a roll, committing a series of frauds,  all in the garb of a successful business entrepreneur. But little does  he know that one of his misdoings has created a huge impact on the lives  of four commoners, Mrs. Baweja [Dolly Ahluwalia], Sukhi [Tusshar  Kapoor], Mintoo [Vinay Pathak] and Ballu [Ranvir Shorey], which has only  resulted into an enormous wave of need for vengeance.
 The death of Mr. Baweja [Yogendra Tikku] due to a cardiac arrest  after being framed in a bank fraud and Saira, his assistant, being put  behind bars, Mrs. Baweja takes the situation in her hands. The four  decide to get even with Sabharwal…
 While the story starts off on a rather haphazard note with a random  sting operation and eventual blackmail, director Shashant Shah manages  to weave the plot together without confusion. Gradually, as the story  unfolds, the viewer is taken down memory lane which sets the premise  while taking the story forward. Since much of the first half goes in  establishing each of the characters, the pace appears sluggish, with the  romantic track [featuring Tusshar and Vishakha Singh] standing out like  a sore thumb. Agree, Vishakha had to fit into the scheme of things, but  it could’ve been done in a more persuasive manner. Fortunately, the  narrative gathers momentum post interval as the motley crew gear up for  their biggest con yet. It is this episode that elevates the film a notch  above the ordinary. Additionally, with a run time of 1.47 hours, the  film manages to keep you in your seat for most parts.
 But, having said that, let me add that the film is *not* laced with  humor-laden situations/episodes in entirety. This one’s more about  conning the con and settling scores, hence the focus is primarily on  drama and taking the story forward. The humor, hence, is sparse and not  in your face. Besides, Shashant could’ve avoided the mostly Punjabi  dialect, for it may be difficult to comprehend for the uninitiated.
 Shashant reserves the best for the post-interval portions and that  includes the con act as well as the songs. ‘Tennu Main Love Karda’  [modeled on the lines on the popular track from DESI BOYZ], ‘Naagin’ and  the RDB track [towards the end credits] are easy on the lips.
 Dolly Ahluwalia, Ravi Kishan, Brijendra Kala and Rajender Sethi are  the scene stealers here. Post VICKY DONOR, one sees Dolly in an entirely  new avatar and the natural ease with which she glides into her part  makes the goings-on worth it. Ravi Kishan enacts the evil man with  flourish. Brijendra Kala, playing the sidekick to Ravi Kishan, proves  his prowess yet again, while Rajender Sethi may be getting stereotyped  in negative roles, but it’s a delight watching him as the greedy father  of the groom.
 Tusshar enacts his part with conviction, while Vinay Pathak, cast in a  non-comic character, is restrained. Ranveer Shorey doesn’t get much to  do here. Vishakha Singh is alright. Kamlesh Gill is wasted in an  insignificant role. Husaan Saad is lovable. Yogendra Tikku [as Mr.  Baweja], Rajinder Nanu [as Raman], Vikas Mohla [as Pawan], Anya Singh  [as Gudiya] and Nikhil Pandey [as Aman Kapoor] fill the bill.
 On the whole, BAJATEY RAHO is quite entertaining with an absorbing second half. Decent entertainer!